The Foundation Pit (New York Review Books Classics) [Andrey Platonov, Robert Chandler, Elizabeth Chandler, Olga Meerson] on *FREE*. The Foundation Pit portrays a group of workmen and local bureaucrats engaged in digging the foundation pit for what is to become a grand ‘general’ building. Written at the height of Stalin’s first “five-year plan” for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei .

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Not a talking bear. The symbolism is clear.

The Foundation Pit by Andrei Platonov – from

The Foundation Pit is a singular literary manifestation of a people in the midst of a struggle to create new identities for themselves and their nation. In short, I will state that it is the strangest and most disturbing novel I have ever read, but ‘strange’ and ‘disturbing’ in a unique way, not in the way that for example a horror novel might be, or even an example of transgressive fiction, such as the early works of Bataille. It was through no fault of our own that Faulkner became our greatest novelist; we have France and then the Nobel committee to thank for that.

It goes forward in time, sure, but the characters move here and there almost without reason, and it’s never clear ho I admire Andrey Platonov’s ability to bring out absurd hilarity of terrible things. The Foundation Pit is a demonstration of the infinite possibility always in the negative sense of life under dictatorship.

The Foundation PitAndrey Platonov trans. Quotes from The Foundation Pit. The prose is a wild combination of the degraded bureaucratic and the weirdly personal.

In The Foundation Pitthe critique of Stalinism is unmistakable. Platonov’s work is a representation of the conflict that arose between Russian individuals foundayion the increasingly collectivized Soviet state in the late s.

The subject is the arbitrary brutality of collectivisation, which receives closer focus in the second half. Just whose side was he on? The more you take plaronov time to consider in slow detail what is being offered – the more you will gain from zndrei experience. Nastya dies the next morning. The concludes The Foundation Pit with a pif note: Here are two quotations selected at random:. The reader is left to ponder, like Voshchev, how so much death could be warranted in platojov effort to build a better life.

It has thoroughly displaced the old order, yet exists at such an extreme distance from actual socialism that its members lack any sense that life could or should be anything more than this. He then entombs her Christ-style with stones and bricks in her home.


Though he pursued studies in electrical engineering, when brought drought and famine he went to work as a specialist in land reclamation, overseeing hundreds of well- and pond-digging projects, as well as the draining of thousands of acres of swampland. Little surprise that The Foundation Pit was kept buried in Russian archives.

What I appreciated was Platonov’s dense and complex use of allusions and imagery throughout the story. The enormous foundation pit foundatioj out all of their physical and mental energy. Eventually Voschev joins a group of workers, all of whom are much stronger than him, a fact that Voschev attributes to his exhausting quest for truth.

Plt thought this was quite brilliant. But after these figures ascend to their rightful place, it is difficult to imagine how we looked at our letters without them.

It is one of those rare books that grows steadily better as it progresses, and it improves all founration way to a memorable last page in which the true purpose of the great pit is fulfilled. It is a portrayal of life on earth as a machine existence: He tells Chiklin, who begins feeling sorry for the people they’ve killed, that Marxism, along with scientific advancements, will resurrect Lenin one day. I suppose I’d have to call it a novel that is more valuable than entertaining.

The freakish and fearless Zhachev makes things most clear: The Foundation Pit transcends the era in which it was written, a feat that makes it an invaluable work of literature. But the future seems not to be eager to arrive foundatin we live in the distressing present and continue to wait… In the church burned many candles; the light of the silent, sad wax illuminated the entire interior of the building right up to the cupola above the hiding place of the sacred relics, and the cleanwashed faces of the saints stared out into the dead air with an expression andreu equanimity, like inhabitants of that other peaceful world—but the church was empty.

Both claim that the other is trying to undermine the workers’ goals, but Safronov leaves when Kozlov recalls the time he “incited a certain poor peasant to slaughter a cock and eat it. Then today I was reading an article about protests in Tunisia and a sign one of the protesters held that said “Revolutions never go backwards” and I wanted to go there and hand them this book. Some works from the period, such as Mikhail Bulgakov’s Master and Margarita ffoundation Isaac Babel’s short stories, have gained canonical status.

Platonov has given us a subtle and powerful novel that while lacking the grotesque satire of some Bulgakov most obviously, The Master and Margarita with its excesses of adherence or the absurdist accessibility hte Waiting for Godot should be seen as brutal in its critique of language and nihilistic in its andeei of olatonov times to come.

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The Foundation Pit by Andrey Platonov

We’ve seen this time and time again, especially in the pursuit of equality when somehow there At once The Foundation Pit is a chilling view of the utopian ideal, but its themes run deep and show that the fate of humanity rests upon how exactly political and philosophical ideologies are carried out, and to what extent. Pashkin, who is now Kozlov’s driver, tells the group that the peasants in a nearby village are looking to collectivize their farms. And Platonov wouldn’t be the first Russian to see his work disappear into obscurity.

It is made all the more unsettling because Platonov was a true revolutionary believer and had been a loyal Party member — unlike Bulgakov or many of the other satirists. It is this insider status that makes this novel so fabulous and so subtle because it is a novel of language — the satire rests in the disruptive deployment of the language of the revolution.

Andrey Platonov’s “Foundation Pit” – Words Without Borders

He has not received any mandates from management and is worried about both underachieving and overachieving, fearing that the peasants will use smaller animals like goats in order to prop up capitalism.

In this way, Nastya serves as a symbol of the Soviet Union’s future.

Andrei Platonov, August 28, — January 5,was the pen name of Andrei Platonovich Klimentov, a Soviet author whose works anticipate existentialism. This work of Platonov is a sinister ,acid,ironic,poetic and sometimes of black humor critic on the fanatism and intolerance applied to the stalinism,is also a existential novel where the characters are wandering as zombies with a empty life witout meaning,absurd and hopeless,working to the foundstion only to fill his time and give some sense to his world,being his only hope that the future youngs would reach the promised paradisiac land of socialism;the landscapes described in the novel are so sad,bleak and empty as the characters.

All of the workers meet Nastya. An officer gestures to proletarian empowerment while his concerns are strictly bourgeois: